";s:4:"text";s:4510:" His simple masterstroke was to convey this entire process through highly stylised animation, elegantly weaving together a patchwork quilt of fragmentary recollections, dreams and hallucinations. And in reliably subversive fashion, Verhoeven undercuts his superficially happy ending with a positively chilling final image. The film wisely chooses to stick to a short time period: the Selma to Montgomery voting rights marches, culminating in King's famous speech at Capitol Hill (unfortunately, the setting of unrest and protect will feel very, very modern). Sign us up. It's about a man who has no short-term memory, who's after vengeance for his murdered wife—oh, and it's shot almost entirely in reverse chronology. When Viola (Bynes) finds out that her school is cutting the women’s soccer team, she decides to take a chance and disguises herself as her twin brother to play for his school. Watched in that new light, it makes his steely, beautiful, mesmerizing performance all the more heartbreaking.
Subscribe now for exclusive offers and the best of cinema. The Torrance family, husband Jack, wife Wendy, and son Danny, are staying in the Overlook Hotel during the winter. CONTACT. It was unbelievably innovative for the time by integrating modern research about sociopaths from the FBI’s Behavioral Science Unit. We’ve also seen a proliferation of films grappling with murky contemporaneous conflicts like the wars in Afghanistan and Iraq, the consequences and traumas of which are still being processed by society at large. Shot entirely on an iPhone 5S, this film is groundbreaking for another reason: It actually cast (unbelievably talented) transgender actors to play transgender characters. The result is a thrillingly intimate account of processing trauma, which also highlights the futility of attempting to boil a war down to a series of immutable facts and moral lessons. Even as provisions run low and water becomes scarce, Meek adamantly refuses to admit his mistake — leading to a clash of wills between him and Emily Tetherow (Michelle Williams of All the Money in the World), a member of the party whose growing mistrust of Meek drives her to defiance. Then, the hotel begins to come alive with a terrible, terrifying evil. In its most bombastic moments, it’s about as close as cinema has come to replicating the dizzying, immersive thrill of playing Call of Duty.